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Selected Works

Selected Works Thumbnails
Samuel Gomez, Diaphragm, 2015, Graphite and ink on paper, 27 x 26 inches

Diaphragm, 2015

Graphite and ink on paper

27 x 26 inches

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Samuel Gomez, Renascence (Tryptic), 2018, Graphite, ink and acrylic on paper.  29 x 66 inches, 29 x 22 inches (each panel)

Renascence (Tryptic), 2018

Graphite, ink and acrylic on paper.

29 x 66 inches

Each panel: 29 x 22 inches 

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Samuel Gomez, In Feudum Perpetuo, 2016,  Acrylic, Charcoal and ink on paper, 78 x 50.4 inches

In Feudum Perpetuo, 2016

Acrylic, Charcoal and ink on paper.

78 x 50.4 inches

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Samuel Gomez, Scarecrow, 2016, Charcoal, Graphite and ink on paper, 78 x 50 inches

Scarecrow, 2016

Charcoal, Graphite and ink on paper

78 x 50 inches

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Samuel Gomez, Enlightenment, 2020, Acrylic, Charcoal, Ink, 3D objects and Gold Leaf on canvas, 96 x 120 inches

Enlightenment, 2020

Acrylic, Charcoal, Ink, 3D objects and Gold Leaf on canvas

96 x 120 inches

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Samuel Gomez, Decrypted Savants, 2014, Graphite and ink on paper, 72 x 48 inches

Decrypted Savants, 2014

Graphite and Ink on paper

72 x 48 inches

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Samuel Gomez, Oasis, 2015, Graphite, Acrylic and ink on paper, 42 x 108 inches

Oasis, 2015

Graphite, Acrylic and ink on paper

42 x 108 inches

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Samuel Gomez, The Glib Scouring, 2017, Acrylic, Charcoal and ink on canvas, 72 x 72 inches

The Glib Scouring, 2017

Acrylic, Charcoal and Ink on canvas

72 x 72 inches

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Samuel Gomez, Diaphragm, 2015, Graphite and ink on paper, 27 x 26 inches

Diaphragm, 2015

Graphite and ink on paper

27 x 26 inches

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Samuel Gomez, Renascence (Tryptic), 2018, Graphite, ink and acrylic on paper.  29 x 66 inches, 29 x 22 inches (each panel)

Renascence (Tryptic), 2018

Graphite, ink and acrylic on paper.

29 x 66 inches

Each panel: 29 x 22 inches 

Purchase

Samuel Gomez, In Feudum Perpetuo, 2016,  Acrylic, Charcoal and ink on paper, 78 x 50.4 inches

In Feudum Perpetuo, 2016

Acrylic, Charcoal and ink on paper.

78 x 50.4 inches

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Samuel Gomez, Scarecrow, 2016, Charcoal, Graphite and ink on paper, 78 x 50 inches

Scarecrow, 2016

Charcoal, Graphite and ink on paper

78 x 50 inches

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Samuel Gomez, Enlightenment, 2020, Acrylic, Charcoal, Ink, 3D objects and Gold Leaf on canvas, 96 x 120 inches

Enlightenment, 2020

Acrylic, Charcoal, Ink, 3D objects and Gold Leaf on canvas

96 x 120 inches

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Samuel Gomez, Decrypted Savants, 2014, Graphite and ink on paper, 72 x 48 inches

Decrypted Savants, 2014

Graphite and Ink on paper

72 x 48 inches

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Samuel Gomez, Oasis, 2015, Graphite, Acrylic and ink on paper, 42 x 108 inches

Oasis, 2015

Graphite, Acrylic and ink on paper

42 x 108 inches

Purchase

Samuel Gomez, The Glib Scouring, 2017, Acrylic, Charcoal and ink on canvas, 72 x 72 inches

The Glib Scouring, 2017

Acrylic, Charcoal and Ink on canvas

72 x 72 inches

Purchase

Biography

Thumbnail, Bio

Born in the Dominican Republic and with a background in Creative Design and Illustration, New York artist Samuel Gomez's meteoric rise began with his inclusion in the 2013 ArtPrize Competition in Grand Rapids, MI, his first showing in any public forum. His piece “Deadpan Comedy” attracted the attention of Colossal, Juxtapoz, Hi-Fructose and many other publications and blogs, virtually gaining him instant renown. He has since showed in Germany, The UK, France, Spain ,Serbia, Miami (Art Basel) and joined several prestigious private collections. Gomez’s steampunk aesthetic is marked by an extensive usage of universal symbolism and contemporary themes of science, socioeconomics, sustainability, and, prominently, the future of automation and AI. The self-proclaimed storyteller's ominous scenes are so dense with imagery and symbolism, they beg the viewer to lose themselves in their interconnected, multi-dimensional depths. Gomez shows a society that has been led astray by corporations, capitalism and over consumption. “I question a world where all events and affairs seem systematic and guided,” says Gomez, “yet, without a clear compass on the horizon, it's just chaos.” Samuel Gomez’s complex metal shapes are machinery and pipes wrapped in successive contortions, in a strangling labyrinthine.  A semiotic criticism of a capitalist and politicized society, the ironic future of automation, where, between man and machine, there are more similarities than differences. The new industrial revolution comes up with a significant change in roles, and their total perversion of functions. Now, the machine produces the man. The man works for the machine, being an integral part of it. It is always at its service, and its disposal. Gomez creates a hybrid being that, in a proliferation of scales, trespasses the macro and the microcosm. A future society where the organic fabric is replaced by the industrial fabric. Where, at all costs, all kinds of mechanisms keep feeding a mechanical ecosystem. A metallic web that weaves kaleidoscopic patterns, in a knit that twists itself, and projects to infinity. A high-precision drawing (with unusual detail) traces our fate with a geometric accuracy." Texts by Pedro Boaventura, Art Galaxie. Samuel Gomez received a BFA in 2001 from Parsons School of Design in New York. Gomez is a member of the Drawing Center & The Americas Society from New York. He has since showed in Germany, The UK, France, Spain, Serbia, Miami (Art Basel) and joined several prestigious private collections. He currently lives and works in Miami, Florida. 

I question a world where all events and affairs seem systematic and guided...without a clear compass on the horizon, it's just chaos.

- Samuel Gomez

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